An article from StewMac on Ric's

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lcjones
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An article from StewMac on Ric's

Post by lcjones »

Thought some might find this interesting...

http://www.facebook.com/media/set/?set= ... 924&type=3

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Rickissippi
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Re: An article from StewMac on Ric's

Post by Rickissippi »

wow! crazy. When did this practice stop? And how long did it last? .............and what do they mean by "dead spot," anyway? Hard to imagine a note wouldn't sound or fret at a certain point because of neck mass. How would a piece of lead correct that? Oops - too many questions. Thanks for sharing.
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jingle_jangle
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Re: An article from StewMac on Ric's

Post by jingle_jangle »

Yes, I've got one of these boards in my shop right now. And it's perfectly flush with the surrounding wood, incidentally.

I'd love to know how Erick "milled" that one flush. Just setting it up on a mill can take several hours...I'm guessing he used another machine or did it by hand...
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cjj
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Re: An article from StewMac on Ric's

Post by cjj »

Probably "milled" it with a mill file...
I have NO idea what to do with those skinny stringed things... I'm just a bass player...
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ken_j
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Re: An article from StewMac on Ric's

Post by ken_j »

His heat source for removing the fretboard is rather innovative. At first when looking at the thumbnail I thought it was a sander. :lol:
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electrofaro
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Re: An article from StewMac on Ric's

Post by electrofaro »

So, what's the lead for except if one would want to keep the bass balanced?
'67 Fender Coronado II CAB * '17 1963 ES-335 PB * currently rickless
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iiipopes
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Re: An article from StewMac on Ric's

Post by iiipopes »

The lead block would be to damp resonance, thereby getting rid of any dead spot. In the present day, the same thing is done by gluing a strip of contrasting wood between the two outer laminates of different density and/or grain.
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