(We now join this RM 1999 restoration already in progress)

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walker
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Re: (We now join this RM 1999 restoration already in progres

Post by walker »

New cavities routed. Now it's starting to look like an RM 1999 again!

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kiramdear
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Re: (We now join this RM 1999 restoration already in progres

Post by kiramdear »

Wow! Good job! 8) What finish have you chosen for it?
All I wanna do is rock!
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walker
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Re: (We now join this RM 1999 restoration already in progres

Post by walker »

Thanks, Kira!

Fireglo, of course! Back to the original finish.
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godber
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Re: (We now join this RM 1999 restoration already in progres

Post by godber »

Looking good Mark. Great work :)
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heinpete
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Re: (We now join this RM 1999 restoration already in progres

Post by heinpete »

walker wrote:...Fireglo, of course! Back to the original finish.
...don't forget the tooth pick or match stick to put into the hole on the lower horn before finishing! :roll:
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antipodean
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Re: (We now join this RM 1999 restoration already in progres

Post by antipodean »

Looking very nice Mark! :D
"I don't want to sound incredulous but I can't believe it" Rex Mossop
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opticnerve
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Re: (We now join this RM 1999 restoration already in progres

Post by opticnerve »

It's really coming together nicely Mark! Great work!
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Kopfjaeger
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Re: (We now join this RM 1999 restoration already in progres

Post by Kopfjaeger »

Wow Mark, that does look way better than the last time I saw it!!! Really nice work!

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MiroN
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Re: (We now join this RM 1999 restoration already in progres

Post by MiroN »

a fantastic job!
walker wrote: Fireglo, of course! Back to the original finish.
Burgundyglo, Autumnglo and Mapleglo are better solutions
my two cents.
My Basses' Name:
4001White 1981-11-W.
4003Jetglo 1992-04-Mr.B.B.
4001Mapleglo 1974-06-Tre
4004Walnut 1994-09 CI-Giusy
4004Mapleglo 2003-05 CII (Fretless 4-2-5)-Amo
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ram
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Re: (We now join this RM 1999 restoration already in progres

Post by ram »

I think you need to put your 'mark' in the new cavities... lookin good!
The only thing we can perceive are our perceptions - George Berkeley
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jps
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Re: (We now join this RM 1999 restoration already in progres

Post by jps »

heinpete wrote:...don't forget the tooth pick or match stick to put into the hole on the lower horn before finishing! :roll:
I thought Mark was going to put one of these on to cover that hole?
Bottle Opener.jpg
Looks great, Mark, 8)
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cjj
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Re: (We now join this RM 1999 restoration already in progres

Post by cjj »

Lookin' good!
8)
I have NO idea what to do with those skinny stringed things... I'm just a bass player...
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Re: (We now join this RM 1999 restoration already in progres

Post by daveman »

Loving it. Genius.
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walker
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Re: (We now join this RM 1999 restoration already in progres

Post by walker »

Thanks, everybody! But yes - the holes. There are PLENTY that I'm going to have to camouflage - that'll be fun. And there is still the gaping hole on the bottom right corner of the HS pickup cavity and small damage spot on the right lower section of the toaster cavity. Will have to get creative there.

Additional notes on what I did - the HS PU cavity is usually routed an inch deep, but I only went ¾" deep on mine to contribute strength to the neck wood. I'm not sure what the depth of the toaster cavity is, but I got away with 7/16" deep. I also set the tailpiece back to the butt of the body so it will be easier to intonate without jamming the saddles all the way back in the bridge.

Image

Notice on Trotty's old RM how far fwd the tailpiece is set and how the saddles are all crammed to the back of the bridge.

Image

You can see how the bridge is tilted back from the downward pressure of the strings, too.
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Re: (We now join this RM 1999 restoration already in progres

Post by bassduke49 »

I'm sure you already know this, but just in case: The positioning of the tailpiece relative to the butt end of the body varied because of the handmade nature of basses back then. Carefully measure the distance between the nut and the 12th fret, and double that measurement to find the location of the bridge. I would make that spot for the center of the bridge, leaving room for the saddles to move either way for proper intonation. Don't necessarily go with the position of the tailpiece on another bass and assume it would be the same for this bass.
Author: "The Rickenbacker Electric Bass - 50 Years As Rock's Bottom"
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