I was never one for natural finishes on my electrics but this one, now live in hand proves to be a stunner, what with that flame-maple and the walnut layer going on!
I have set it up now in high C, drop D tuning, using D'Add. XL's in (light) gauges .110*, .075, .056, .042, .030. Intonating the dropped low D proved to be the first issue, but resolved; I clipped the bolt that drives the saddle and snipped its spring a bit to make it travel back further. Despite these gauges being not-heavy, as expected, the neck began to bow forward. This may have to do with one of several mild curses on me (all my axes suffer this, at some point, it seems) but I moreso suspect the cold dry NY winter air. I tightened the truss rod nuts carefully over the course of a few days, not wanting a repeat of the Great And Horrible Truss Rod Incident Of March '13, and they are now pretty snug. The neck isn't that kind of prescribed dead-straight, but I'm going to wait until Spring to see how it changes with the air then. [*to be replaced with an S.I.T. .115 taper-core; .110 is little too lite, and D'Add. doesn't make a .115]
As you may know already from the thread about its sale, or the book (a copy of which all reading this now own...right?! Right??!) it started life as a 4-string. The +1 conversion has, I offered, succeeded in out-R.I.C.ing R.I.C. themselves, in that the string spacing is a better fit than that of the stock 4003s/5 (though I still love that model no less!) (I can't comment upon the production model 4004Cii/5 as I've yet to encounter one). True, the bridge pickup isn't quite wide enough to fit the C string in its span, but it turns out just as I was advised: the effect is minimal, and I think in fact to a benefit, in that it prevents the C string from being too strident in the output. Other prior hands' augmentations include the backpainted Plexi TRC and control reconfig into V/V/T. The bridge is an oddball, but does its job -- the word was that the make and model of it isn't known; does anyone else here have info about it...?
I took it for its maiden voyage last night in a studio jam in town, and it got rave reviews for both looks and sound. The studio owner said it's one of the best tones he's ever heard, "so clear..." (running through an Aguilar head & Bergantino cabs didn't hurt!). My guitarist suggested I just get rid of all my other basses, now that I've found the "ultimate" one!
