Fretless
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Re: Fretless
The stingray is great beats the Jazz imho. But I use a fretted 4003 much of the time and I just reckon a fretless Rickenbacker would be great for the sake of consistency! Would you say the Cheyenne II is the only Ric suitable for defretting?
Re: Fretless
I know that look,but it's usually me that's making it when i don't manage the correct "autotune" fingering on my fretless. I seem to have more of that issue with the higher notes on the G string than anywhere else.jps wrote:...the way to go! I would love to make my band mates have that look all the time!StevieDee wrote:...the look of horror on my band mates faces as I ventured up an unlined neck has convinced me it's...
Re: Fretless
Flip the strings around so the G is where the E would normally be, then you could see it easier.woodyng wrote:I know that look,but it's usually me that's making it when i don't manage the correct "autotune" fingering on my fretless. I seem to have more of that issue with the higher notes on the G string than anywhere else.jps wrote:...the way to go! I would love to make my band mates have that look all the time!StevieDee wrote:...the look of horror on my band mates faces as I ventured up an unlined neck has convinced me it's...
Re: Fretless
Maybe not,but I would stick to models that were of the S variety. (Not having to deal with neck binding.)StevieDee wrote:The stingray is great beats the Jazz imho. But I use a fretted 4003 much of the time and I just reckon a fretless Rickenbacker would be great for the sake of consistency! Would you say the Cheyenne II is the only Ric suitable for defretting?
Also if you want to defret a moedel that has a finished fingerboard,that will involve the decision of refinishing the board,or taking it down to the wood....
When i was contemplating my defret,i needed to choose between doing that to my Cii,or my cheyenne 1,which has an oiled maple fretboard. I went with the Cii,primarily because it had the "dropped" position pickups,which i thought would enhance the fretless tones.....
Re: Fretless
I know that look,but it's usually me that's making it when i don't manage the correct "autotune" fingering on my fretless. I seem to have more of that issue with the higher notes on the G string than anywhere else.[/quote]
Flip the strings around so the G is where the E would normally be, then you could see it easier.
[/quote]
You're......So.......Helpful!

Flip the strings around so the G is where the E would normally be, then you could see it easier.
You're......So.......Helpful!
Re: Fretless
woodyng wrote:You're......So.......Helpful!
- cassius987
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Re: Fretless
That upper register G string does take a little more practice, especially to be good enough to improvise up there and get the intonation right on a tricky solo. Be sure your strings are intonated like you expect them to be. Also, there's nothing wrong with intonating the G string a bit "offset" if that's how you like to play it.woodyng wrote:I seem to have more of that issue with the higher notes on the G string than anywhere else.
This issue is why I prefer unlined fingerboards. It forces your ears to do the work that they would have had to do anyway, considering the fret lines aren't all that accurate. Eventually you just learn to play by a combination of feel and what you're hearing, at least the material you rehearse (that's how you can sing and play with a fretless). But, when I play an improvised jazz standard I definitely look at my fingers more.
Re: Fretless
The first three fretless basses I had were actually fretted basses that I had turned into fretless so they had lines, '72 Fender Telecaster Bass, '87 Yamaha BX-5, and an '84 Alembic Exploiter. As nice, and fun as they were, I did feel really at home until I played my first unlined fretless ZON; Except for the two Rick Turner fretless basses I had (they were lined but that was what was available when I got them) I have not looked back. In a way, the fretlines sort of forced me to look at the fingerboard, strange as that seems.
Re: Fretless
It is better, of course, to know useless things than to know nothing. - Seneca
Re: Fretless
Hey Gary, haven't seen you in quite a while, how my fretless friend doing?
Last edited by jps on Sun Dec 27, 2015 2:27 am, edited 1 time in total.
Re: Fretless
...I did feel really at home until I played... should have read: ...I did not feel really at home until I played...jps wrote:The first three fretless basses I had were actually fretted basses that I had turned into fretless so they had lines, '72 Fender Telecaster Bass, '87 Yamaha BX-5, and an '84 Alembic Exploiter. As nice, and fun as they were, I did feel really at home until I played my first unlined fretless ZON; Except for the two Rick Turner fretless basses I had (they were lined but that was what was available when I got them) I have not looked back. In a way, the fretlines sort of forced me to look at the fingerboard, strange as that seems.
Re: Fretless
Howdy friend, I'm O.K., still trying to juggle things now that I am back in an apartment and working as a consultant in Quality Assurance (instead of as an analytical chemist in a lab!). I am still a hack bass player, of course, but I did play bass on We Got To Get Out Of This Place at the last local jam!jps wrote:Hey Gary, haven't seen you in quite a while, how my fretless friend doing?
It is better, of course, to know useless things than to know nothing. - Seneca
Re: Fretless
PM sent ...doctorwho wrote:The 1977 4001FL BG I had posted for sale is still available:
viewtopic.php?f=6&t=410640
"It's Red Jim, but not as we know it...."
Re: Fretless
Job and career change, eh? I did that 3 years ago, and I may be having to do so again, currently.doctorwho wrote:Howdy friend, I'm O.K., still trying to juggle things now that I am back in an apartment and working as a consultant in Quality Assurance (instead of as an analytical chemist in a lab!). I am still a hack bass player, of course, but I did play bass on We Got To Get Out Of This Place at the last local jam!jps wrote:Hey Gary, haven't seen you in quite a while, how my fretless friend doing?![]()
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Re: Fretless
The Pre EB '80 Stingray I used to own with factory ebony board was a tone monster. One of the very few I regret letting go. Hey, Stevie's in the UK, so it actually pretty easy.cassius987 wrote:I really liked the one I owned for a week before returning, the tone was great and probably would have improved with better strings, but I didn't like the thick body.jps wrote:Fretless Stingrays do sound great, too; Patrick O'Hearn used one (I don't know if he still does or not) and it sounded wonderful in his music.
It's called a Wal...
