Update: Prototype "special" TRC
The first trial piece was finished this afternoon on the laser cutter, which also engraves.
Here's a photo of the trial piece installed:
It's not embossed metal like an old Rick or Electro nameplate, but rather a piece of acrylic, engraved and backpainted to match the pickguards, for a contemporary take on the old style metal TRCs.
I've just fine-tuned the artwork to remove some digital artifacts which occurred in the translation from Photoshop CS (original art) to Illustrator CS (to adjust the outline with Beziér curves and set line widths) to Ashlar Graphite, which the laser cutter reads.
The laser cutter not only cuts the material digitally from the Graphite file, but will also engrave to any depth and pattern that you tell it to.
So this TRC is engraved like an old refrigerator badge (or Kay guitar headstock!), from the back, in reverse, so that from the front you can read the engraving properly. It's then back-painted just like the pickguards. The logo stands out in relief from the flat background, but is buried beneath the acrylic sheet crystal.
The next piece will be a final version, although I'll be trying some other variations on the logo colors. The laser cutter is right now cutting several for this guitar as well as my 660-12 so I can experiment.
Here are the links to the six process photos on Photobucket:
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http://photobucket.com/albums/v693/jingle_jangle/13.jpg[IMG]
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http://photobucket.com/albums/v693/jingle_jangle/14.jpg[IMG]
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http://photobucket.com/albums/v693/jingle_jangle/15.jpg[IMG]
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http://photobucket.com/albums/v693/jingle_jangle/16.jpg[IMG]
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http://photobucket.com/albums/v693/jingle_jangle/17.jpg[IMG]
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http://photobucket.com/albums/v693/jingle_jangle/18.jpg[IMG]
Still to go: Small details and the last big change--Accent vibrato.
“I say in speeches that a plausible mission of artists is to make people appreciate being alive at least a little bit. I am then asked if I know of any artists who pulled that off. I reply, 'The Beatles did.”
― Kurt Vonnegut