Neck Too Thin ???

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clankchris
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Post by clankchris »

My 4003's Neck is much stiffer than my J-bass' neck.
jwr2

Post by jwr2 »

the 4003 neck is over designed ... that is why I can convert a 4003 into a 5 string bass and they handle the 5th string with no problem ...
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aceonbass
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Post by aceonbass »

J.H. just stated over on RIC's forum that they are actually switching over to the thinner neck profile. Good news I'd say.
zoomduck
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Post by zoomduck »

It has Chromes....they should be consistant.....I'll try the old Fender flats....Nut width on a 4003 ?
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kcole4001
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Post by kcole4001 »

I can move the necks on my three. The 4080 necks are quite easy to move since they're rather thinner than the others.
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jon
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Post by jon »

I was quite scared by my 4080 necks at first. I've almost got used to it now.

My thinnest neck has to be my Geddy Lee Jazz.
Rickenbackers: 4003 FG, 4080 BG, 4001CS, 4003 DCM, 4080/12 MG, 4003s5 JG, 4004Cii MG.
Others by: Wal, Fender, Warwick & Washburn
Amps by : TC Electronics & Ashdown.
teeder
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Post by teeder »

My '65 Jazz neck is tiny, but I could pick up my house with it.
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cheyenne
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Post by cheyenne »

Jeff Scott uses chromes, he replaces the "D" string with another of a different guage to give them more balance.

I'm not sure of the guages though.

HEY JEFF!!! GOT YOUR EARS ON????
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jps
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Post by jps »

Yep! I Get the Super Soft set which is comprised of 40-60-75-95 guages, and I throw away the 60 and buy a single 55 to use for the D string. This gives a more balanced set tensionwise.
zoomduck
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Post by zoomduck »

Well..........it was'nt the neck being too thin.........just a difference in tuning procedure . My wife tunes all stringed instruments to the attack of the pick.....I tune letting the strings sustain until the tuner settles on pitch........After reading about recording and tuning basses on the internet , I found out Her method is best . Better to be a little flat than sharp . Now we can finish our CD Image
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kcole4001
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Post by kcole4001 »

That's a good thing to know. I've always done it the same way you do.
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chefothefuture
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Post by chefothefuture »

You can never be too rich, or have a neck too thin......
'68 4001MG, '70 4001 21Fret, '71 4001S MG, '71 4001FG, '72 4001AZ, '73 4001FG, '73 4001resto, '59 365FG, '96 381/12v69FG, '71 4001 21Fret FG
zoomduck
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Post by zoomduck »

I could go for Too Rich !
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sabbath_of_bass
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Post by sabbath_of_bass »

Being a musician is expressive. I think Id drive Bill Gates bankrupt with everything I want.

So whats all this tuning stuff? I rarely ever look at a tuner. I normally just pluck until I think it sounds right or the tension feels right, then I tune to myself. Im normally playing alone tho. In group settings I normally tune to the guitarist. Simply because I figured I have fewer strings and a good set of ears.

I know the old recording stuff would change the tuning. I dont really remember if it was sharp or flat or what. I just heard it would screw with it. And It made dubing a pain too. Gotta love the digital world I guess. But is this what you guys are talking about?
zoomduck
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Post by zoomduck »

In my case....our songs are built with guitar and drums . Drums to establish tempo and guitar for vocal pitch reference . Once those are recorded I choose among 10 basses for the one that ads character to the style of the song . Most of the time I choose my 64 Fender P . That bass never sounds sharp in the mix . I set it up to intonate with a foam mute under the old bridge cover . I think that's why it works so well . But......I wanted my 77 4001 on some of the recordings and everytime I played it back it was sharp . No mute . Tuned with the sustain method . Now I can tune it to the " pick attack " and it records in pitch . I will also be recording with my 5 string 4004 / toasters . That bass rocks with a mean roundwound growl . I think this has been a challenge mainly because of the way the guitar has been tuned for these recordings .
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