I have been toying with the idea of selling my 340 and getting the 325C64 Miami when it comes out.Would I regret this later? Please don't say "get both" as that would not be possible.In fact I will have to sell my Fender Stratocaster as well as my Epiphone SG in order to have enough money to purchase the Miami without going into debt.I love my 340 but the Miami is "Thee" guitar I have lusted after since I was a 10 year old in 1964.Any advice you could offer would be appreciated.By the way I used to own a 325C58 Hamburg to which I prefer my 340 but the Miami is sort of he "Holy Grail",ya know?
“I say in speeches that a plausible mission of artists is to make people appreciate being alive at least a little bit. I am then asked if I know of any artists who pulled that off. I reply, 'The Beatles did.”
― Kurt Vonnegut
Never sell your only Ric, especially one as great as this. If money is a problem, you should be happy with what you have, and play it all day. I have a 330, it is great, many people think it is the best Ric. You have the 340 with toasters, you should be in hog heaven.
"Say what you like about the tenets of national socialism, Dude, at least it's an ethos." - Walter Sobchak.
Mitch, going from a full scale to a short scale, and making it your main guitar is a big move. If you know anyone who has a 320/325 who would let you play if for a few weeks, to make sure you can make the switch.
I persoanlly think of the 320/325 as that extra sports car in the garage. You will drive the sedan alot more.
Pretty much, the widths are the same at the nut and the 12th fret on both if that is what you are asking. The crown radius is different. And on the body one is alder the other maple.
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Music is too important to be left to professionals.
Hey. Assuming the C64 is accurate to the "Miami" (a reasonable assumption, I'm imaginging), the neck profile is a bit different than on the "Hamburg" C58. The C58 neck is pretty rounded and thick. The Miami neck is a bit thinner. The upshot is that they play a bit differently (also considering that the C64/Miami has a lacquered fretboard and the C58 doesn't).
Sure thing, Patrick! To my hands the upshot of the difference is that the thinner necked 325s play more like a "regular" scale guitar than does the C58. The thinner neck gives you some flexibility with working your hand & fingers around for better angles (so to speak). I find that I can do some of the same things in almost the same way. With the thicker neck on the C58 the shorter scale really forces you do some things differently. That's not necessarily a bad thing, of course -- unless you're going back and forth alot between your 325 and a longer scale guitar. If that's the case the thinner neck on the Miami will make that transition feel less dramatic (and less difficult).