
Model 450/12 Fireglo
Moderators: rickenbrother, ajish4
Model 450/12 Fireglo
We have talked a great deal about fireglo on the Forum and so I wanted to add this photo of my 1966 Model 450/12 in, whatelse, Fireglo finish. A beautiful sight and an unforgettable sound. Hey not bad for a nearly 40 year old finish. "Unforgettable, that's what you are ..."


Life, as with music, often requires one to let go of the melody and listen to the rhythm
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- jingle_jangle
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Thanks Paul and Dan. You really have to admire the talents of those at the RIC factory when you have the chance to own something as nice as this.
Here is a closer look at the toaster and fretboard.

Here is a closer look at the toaster and fretboard.

Life, as with music, often requires one to let go of the melody and listen to the rhythm
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- jingle_jangle
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You know, Peter, I had always unconsciously thought of the 450s as a sort of "entry level" solidbody, perhaps erroneously, because the ones I've seen in person have been pretty beat-up. But having seen several mint examples in the past few weeks, culminating in your beautiful 12, it's obvious that Rickenbacker took just as much care with these simpler guitars as they did with their classic semi-hollows, in terms of fit and finish.
Classic! I hope I have the opportunity to own one of these someday.
A couple of questions: What's the neck width at the nut, and how would you compare the sound of this to a 620 or 660 12 string? Seems like the three of them would be fairly similar.
Classic! I hope I have the opportunity to own one of these someday.
A couple of questions: What's the neck width at the nut, and how would you compare the sound of this to a 620 or 660 12 string? Seems like the three of them would be fairly similar.
“I say in speeches that a plausible mission of artists is to make people appreciate being alive at least a little bit. I am then asked if I know of any artists who pulled that off. I reply, 'The Beatles did.”
― Kurt Vonnegut
― Kurt Vonnegut
Paul: I think it is certainly fair to say that the Model 450/12 is not nearly so highly sought after as the Models 330/12 340/12, 360/12, 360/12V64, 370/12, and 1993, for example.
At the neck it is 1 5/8" and I have never had the opportunity to assess the difference between this model and a model 620/12 or 660/12. What I can say, however, is that it sounds very much like the Tom Petty vibe. Its sustain is greater than my Model 1993. But the Model 1993 (360/12V64) has a more trebly sound overall. You can hear the sound of my 450/12 by visiting rickresource.com and putting your mouse cursor over photo of the headstock of the 450/12 at the bottom of the page.
Some of the 450/12s were set necks. I can tell you that I am thrilled with the chimey ring of the through neck model I have.
Unless someone very famous uses a Model 450/12 on tour I am afraid that these models are never destined to achieve the same fame as their cousins mentioned above.
These neck-through guitars are rock solid, however, and are comfortable to play with their smaller more compact body and their slim profile.
By the way, what a wonderful name for a finsh, Fireglo. I wonder who came up with this brilliant idea. It sure beats "red sunburst" any day of the week. As we are so passionate about Rickenbackers, I especially like the name Fireglo. Perhaps the person who coined this name was imagining the image shown below.

At the neck it is 1 5/8" and I have never had the opportunity to assess the difference between this model and a model 620/12 or 660/12. What I can say, however, is that it sounds very much like the Tom Petty vibe. Its sustain is greater than my Model 1993. But the Model 1993 (360/12V64) has a more trebly sound overall. You can hear the sound of my 450/12 by visiting rickresource.com and putting your mouse cursor over photo of the headstock of the 450/12 at the bottom of the page.
Some of the 450/12s were set necks. I can tell you that I am thrilled with the chimey ring of the through neck model I have.
Unless someone very famous uses a Model 450/12 on tour I am afraid that these models are never destined to achieve the same fame as their cousins mentioned above.
These neck-through guitars are rock solid, however, and are comfortable to play with their smaller more compact body and their slim profile.
By the way, what a wonderful name for a finsh, Fireglo. I wonder who came up with this brilliant idea. It sure beats "red sunburst" any day of the week. As we are so passionate about Rickenbackers, I especially like the name Fireglo. Perhaps the person who coined this name was imagining the image shown below.

Life, as with music, often requires one to let go of the melody and listen to the rhythm
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- jingle_jangle
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Thanks Stan and Howard. Yes Paul this is the result of Zymol. We may have to refer to you as Paul Wilczymolnski here.
Life, as with music, often requires one to let go of the melody and listen to the rhythm
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- jingle_jangle
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I guess that's OK, Peter, considering my favorite wax used to be Medallion.
That would be a tough one to hybridize...
That would be a tough one to hybridize...
“I say in speeches that a plausible mission of artists is to make people appreciate being alive at least a little bit. I am then asked if I know of any artists who pulled that off. I reply, 'The Beatles did.”
― Kurt Vonnegut
― Kurt Vonnegut
Thanks Jeff. The 450/12 is a fine instrument. It takes a while to get used to the large guard, but its sound and playability more than makes up for it.
Life, as with music, often requires one to let go of the melody and listen to the rhythm
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Thanks for the comments on the photography Jeff. You can't help but enjoy photographing it.


Life, as with music, often requires one to let go of the melody and listen to the rhythm
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- jingle_jangle
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