My dream Ric bass
Moderators: rickenbrother, ajish4
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jwr2
My dream Ric bass
My dream Ric bass doesn't exist ... but if it did it would have .... 5 strings ... modern bridge width 2 1/2" ... slim neck nut width 1 5/8" ... single coil pickups reverse wired and reverse polarity like a jazz bass ... contoured body ... no mute ... no ric-o-sound ... Schaller m4 tuners ... 21 freets ....
Sort of a cross between a 4004 and a 4003s5 ....
I have no use for mutes, ric-o-sound or 4 string basses ...
Sort of a cross between a 4004 and a 4003s5 ....
I have no use for mutes, ric-o-sound or 4 string basses ...
- rickenbrother
- RRF Moderator
- Posts: 13200
- Joined: Sun May 26, 2002 5:00 am
Bob: I agree a nice looking bass. there is something very nice about the hollow-body. I am sure this would be a very expensive operation and some retooling may be necessary for RIC. Would you still be in the running with a price tag in the vicinity of perhaps, 5k? Maybe John Hall could give us a ball-park figure for this resurrection.
Life, as with music, often requires one to let go of the melody and listen to the rhythm
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Sure, I'd still be first in line, I know they would be expensive. I had something about that in my post but deleted it. There are other ones being offered out there now (Lakland comes to mind and that one is up in the 5K vicinity, but I'd buy the Ric first), and they are all expensive, but there is nothing as resonant as a nice hollow body bass, (except an upright). The 4005 would be the jewel in Rics crown. And yes they are striking.
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shamustwin
- Senior Member
- Posts: 5287
- Joined: Tue Apr 29, 2003 5:00 am
Bob: Time for a wee spot of Camomile tea.
Life, as with music, often requires one to let go of the melody and listen to the rhythm
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Bob: I get the basic idea. Here from Mike Parks page, a beautiful Model 4005 from 1967.

4005 Fireglo Wow...all original and sounds great with the new Pyramid flatwound strings, Serial # GB 939 (Feb 1967) tuners original silver case in very good condition also..$4295 SOLD

Life, as with music, often requires one to let go of the melody and listen to the rhythm
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