Beatles Vocal Tracks
Beatles Vocal Tracks
Someone sent this to me, a fun listen and a good time for all.
http://www.bennettstudios.com/mysterytracks/
PS: Sgt Pepper Vox has about 10 sec. of silence before the vocal comes in...
http://www.bennettstudios.com/mysterytracks/
PS: Sgt Pepper Vox has about 10 sec. of silence before the vocal comes in...
Leprosy is rare & scarce but nobody wants that!
this is great...if there's more like this, please
post
...great to hear "If I Fell" ...i never
realized until now that the 2nd "anytime at all"
line was sung by Paul (i always thought the
whole thing was sung by John) ...and Strawberry
Fields...i've always loved the guitar bit...nice
to hear it loud and clear
post
...great to hear "If I Fell" ...i never realized until now that the 2nd "anytime at all"
line was sung by Paul (i always thought the
whole thing was sung by John) ...and Strawberry
Fields...i've always loved the guitar bit...nice
to hear it loud and clear
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chucksimms
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Sometimes you forget just how good these guys were, but hearing these raw tracks is a real treat. I always used to hate when the engineer would punch up one of my tracks all by it's lonesome. You just sit there with your fingers crossed, hoping you didn't play something full of clunkers that were hidden in the mix.
These tracks are also a really great example of what it was like to record back in the days of four-track machines. The Strawberry Fields cut in particular, shows how we sometimes used to have to search through the song and the various mixed-down tracks to find a space on the tape to put something in when we wanted to add additional bits here and there. By the end of the session you almost needed to make a map for doing the final mix just to keep track of what was where, what had to be done on the board when it came up and what was coming up next. Since mixing was done live with no pre-programing possible, and since few things went into a final mix without needing some sort of volume or EQ adjustment, doing a mix often required a lot of hands on the board tweaking and boosting things as they came up in the song.
These tracks are also a really great example of what it was like to record back in the days of four-track machines. The Strawberry Fields cut in particular, shows how we sometimes used to have to search through the song and the various mixed-down tracks to find a space on the tape to put something in when we wanted to add additional bits here and there. By the end of the session you almost needed to make a map for doing the final mix just to keep track of what was where, what had to be done on the board when it came up and what was coming up next. Since mixing was done live with no pre-programing possible, and since few things went into a final mix without needing some sort of volume or EQ adjustment, doing a mix often required a lot of hands on the board tweaking and boosting things as they came up in the song.
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