So now again
Moderators: rickenbrother, ajish4
So now again
THERE IS NO MISTAKE! The electronics of all my basses work like I always described: In the middle position of the PU switch either tone pot(Bass or Treble)is effective on both PUs simultaneously and hence the total tone sound. The influence initially is most strong on the individual PU of the used tone pot, but if you close one of them totally ALL TREBLE IS GONE!!!
And it is clear that it should be that way when you read the original RIC schematic drawing, as the tone pots close down to mass (grounding), which is the same for all pots!
THAT MUST BE A REGULAR FEATURE OF THE 4001 CIRCUIT!!! Does anybody check with his bass??? Please!!!
And it is clear that it should be that way when you read the original RIC schematic drawing, as the tone pots close down to mass (grounding), which is the same for all pots!
THAT MUST BE A REGULAR FEATURE OF THE 4001 CIRCUIT!!! Does anybody check with his bass??? Please!!!
"The youth of today should start thinking about the state in which they want to leave this planet to Keith Richards..."! Quote by an unknown musician
- bassduke49
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Peter, the same thing is happening with my "Mink" '72. But, I don't know if it is typical, as mine has been worked on by at least three techies since I brought it out from under the guest bed for my musical rebirth in 2002. This "problem" is not evident on my '04 Monte 4003. I haven't tried the others.
But, you are not alone!
But, you are not alone!
Author: "The Rickenbacker Electric Bass - 50 Years As Rock's Bottom"
- jingle_jangle
- RRF Moderator
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I assume: To separate the action of the tone pots they need a ground separation. The grounding of the two tone pots was separated by the 0.0047cap in the old 4001. But what is the trick in the new 4003?
"The youth of today should start thinking about the state in which they want to leave this planet to Keith Richards..."! Quote by an unknown musician
Looking at the schematic and given the following: A mono bass or stereo bass plugged in to the mono jack, Both volumes at full, and does not have the 0.0047 cap installed, there is nothing to stop the tone controls from effecting either pickup. If you turn the volumes partially down on one or both pickups the tone controls should effect their respective pick up but I still think that you could get some cross talk. If you plug the bass into the stereo output. and into two different channels of an amp or two different amps there should be no crosstalk what-so-ever.
"The best things in life aren't things."
Thank you Ted, finally somebody believes me!!!
So chaps, now we just need some confirmation from the boss of RIC Co., Mr. John Hall. That would end the discussion for ever and all future forumites will have a useful hint in case they find the same problem.
So chaps, now we just need some confirmation from the boss of RIC Co., Mr. John Hall. That would end the discussion for ever and all future forumites will have a useful hint in case they find the same problem.
"The youth of today should start thinking about the state in which they want to leave this planet to Keith Richards..."! Quote by an unknown musician
Yes bring the big boss in, and let him tell us the truth LOL. I didn't try it with the volume 3/4 open, I will try that tomorrow, but I guess you're right about that. Rick's have strange schematics compared to say ehhhhh F*nd#r or so.
Beside owning 14 guitars and basses and my own homestudio, what do I want more?
I tried this the other night on my 650. Note the 650 uses the same schematic as the mono 4000 series basses with four controls. I did an A-B test with both pickups selected. (A) both volumes at full, front tone pot at full, and the rear at minimum, the guitar had the same exact tone as (B) both volumes at full, front tone pot at minimum, and the rear at full. By turning one pickup's volume down then only the tone control for the other pickup was functional. I fell this makes sense looking at the schematic.
"The best things in life aren't things."
Personally, I make it a firm and non-discriminatory policy to laugh at both Rickenbacker schematics AND Funder schematics equally, as well as Gypson schematics and Paul Reid Smith schematics
I do love the sound and playing feel of Rickenbackers infinitely more than either Funder or Gypson, though
However, I must confess that Alembic Series II Active electronics schematics receive unvarnished idol worship......
I do love the sound and playing feel of Rickenbackers infinitely more than either Funder or Gypson, though
However, I must confess that Alembic Series II Active electronics schematics receive unvarnished idol worship......
Do unto others as you would have them do unto you, and sit in with the band whenever you can, to keep your chops up!
