Fender flats on a 4003?
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cornishmusic
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Fender flats on a 4003?
Anyone tried Fender flatwounds on a 4003?
If its good enough for Lemmy and Chris Squire and Duncan Sanderson, then it's good enough for me.
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cornishmusic
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But be be careful, although I even had them on a 4001 for a while with no problems, they sound great, nice and punchy as they are taut. They blow Rotos away in the sound dept too.
They have your traditional flatwound sound. Nice and thumpy with a trebly click especially if played with a pick.
Just my opinion but Roto flats have to be the worst sounding flats I've ever heard, they have little bottom and a tinny high end.
They have your traditional flatwound sound. Nice and thumpy with a trebly click especially if played with a pick.
Just my opinion but Roto flats have to be the worst sounding flats I've ever heard, they have little bottom and a tinny high end.
I had Fender 9050 ML's on my 4001 for years, and I had no issue with bridge lift, just high action from some neck bow. The neck is fine now that I have some low tension RW's, but I don't like the feel or sound as much. I plan to go to flats again, maybe trying Carvin's - I hear they are fairly low tension. The 75 4001 needs low tension, as it has had some neck issues.
The sound was utterly fantastic to my ears. I could dial in as much punch as I needed with my capped bridge PU and the tone pots, and could get really rumbling lows with no effort. They are very high tension as Bob Young says - you can get punch from them because of that tension. And there's really nothing "medium light" about the 9050 ML set - 50, 65, 85, 100.
As any good flat should, they tended to get better with age, and just when they seemed to be deader than dead playing without amplification the sound would just explode when I plugged it in.
The sound was utterly fantastic to my ears. I could dial in as much punch as I needed with my capped bridge PU and the tone pots, and could get really rumbling lows with no effort. They are very high tension as Bob Young says - you can get punch from them because of that tension. And there's really nothing "medium light" about the 9050 ML set - 50, 65, 85, 100.
As any good flat should, they tended to get better with age, and just when they seemed to be deader than dead playing without amplification the sound would just explode when I plugged it in.

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Chromes have a lot of overtones that's what they are trebly, on the other hand: "As any good flat should, they tended to get better with age, and just when they seemed to be deader than dead playing without amplification the sound would just explode when I plugged it in." Amen! That was the same experience I had with my 4001 and med. light SS Fender Flats.
