This is a nearly-Beatle guitar, an Egmond Bass 7, companion bass model
to the Rosetti Solid 7 (made by Egmond in Holland and re-branded by
Rosetti, the UK importer). Apart from the rounded horns it's very
similar to the Solid 7, and it illustrates that Paul McCartney's comment
about the fancy paint-job wasn't exaggerated : this Bass 7 has
miraculously survived in near-mint condition and the cherry-to-black
sunburst is lovely, offset by the white Royal scratchplate/pick-up
assembly. Hamburg-era fans may be interested in this picture to get an
impression of what Paul's Solid 7 looked like in colour.
Like the supposedly Solid 7 though, this bass is hollow, very light and
probably of hardboard (masonite) construction like Danelectros. I doubt
it would survive much serious gigging. I'm no bass-player, but I doubt
the sound would have given Leo Fender any sleepless nights worrying
about sales of the Precision Bass !
Paul has often mistakenly referred to his Solid 7 as a Lucky 7, a far
more common cheap Rosetti archtop model available in acoustic or
electrified format. Most British guitarists of his generation do the
same - Rosettis are known generically as Lucky 7's, the joke being that
you were Lucky if they lasted a week (7 days) !
