Building A Neck Thru Body Guitar

Setup, repair and restoration of Rickenbacker Instruments

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jonpaul
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Post by jonpaul »

Bravo Dale! Simply amazing getting this insight into building a beautiful instrument. Every post (pics & descriptions)you provide creates more excitement and anticipation for the finished product. Cheers!
It is what it is!
dale_fortune
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Post by dale_fortune »

I THINK WE SHOULD LET THE FORUM MEMBERS DICIDE ON THE FINAL COLOR. MAJORITY VOTE WILL DECIDE.
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scoobster28
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Post by scoobster28 »

Lightshow....er...that isn't a color. BUT it would make a cool project guitar!
"Here he is, come to pay homage to the Rickenbacker display!" (Said to me by owner Bruce at the "Great House of Guitars" in Rochester, NY)
rickcrazy
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Post by rickcrazy »

Purpleburst.Image
A Rickenbacker bass is much like the Jaguar E car - perennially ultra-fashionable.
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jps
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Post by jps »

I think a nice amber burst would look nice as it will bring out the wood grain nicely and not diminish the walnut headstock wings.

Otherwise, Jetglo! Image
242_foxtrot
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Post by 242_foxtrot »

I vote for Autumnglo.
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ozover50
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Post by ozover50 »

Dale: If the grain of the timber is worth showing off, I'd like to see something along the lines of Montezuma or Autumnglo.

BTW, what's going to happen to it when it's completed? (loaded question!!) Image
"Never eat more than you can lift." - Mr. Moon
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dswp
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Post by dswp »

Burgundy-glo
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eatswodo
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Post by eatswodo »

I'll second the burgundy-glo call.....
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ratso
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Post by ratso »

1) Autumnglo (see pic below)
2) Fireglo
3) Jetglo
4) Fortuneglo! (Surprise us!)

Image
dale_fortune
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Post by dale_fortune »

My 1st thought was a 3 color Sunburst very similar to the Autumnglo in the picture above, one of my favorites.... 2nd would be Jetglo, most people don't realize Black is the hardest color to do, especially on autos, I think this would be awesum with the Gold Pick Guards and Truss Rod Cover ....3rd would be Natural since the instrument will be a simple one with B/W checkered binding, C/P inlays and black vintage knobs. It will be a little over a week before the finish will be started, so we have time to decide. Thanks for helping on this. You guys are great!
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ratso
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Post by ratso »

Dale, Black would sure look nice with the checkerboard binding but I still can't get over the finish on Graham Griffith's '59 capri above (with gold PG and TRC)! My favorite. The crushed pearl inlay would look gorgeous with the aged look Autumnglo! It reminds me of the Ric pic used on this forum's lead page. Natural would be cool too! Maybe you could do another guitar for a lusting forumite in the runner up color of choice??
dale_fortune
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Post by dale_fortune »

I forgot to mention a reply to the peg head question. The template was taken off a 1958 Rickenbacker and transposed to this neck. IMO, these were the best, with the sharp edges and all. Oh and Howard, to answer that question, "what's going to happen to this when it's finished" would you believe that I was pondering how I could send it to you since you are down under and need a nice guitar to play. What do you think? Heaven knows I don't need another guitar. Hi Debbie,LYSM! this is for my friend in So. Cal. that's following this thread.
Thanks and get your vote in for the color: no metal flake please.
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karl_teten
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Post by karl_teten »

If you use gold guards I would choose Autumnglo.

White guards, I would go jetglo (my all time favorite).

I think checkered binding sticks out best with jetglo.

It seems jetglo RICS are also the rarest.
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ozover50
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Post by ozover50 »

What a wonderful idea, Dale..... how nice of you to think of me!! Perhaps you could just hang on to it and I'll pick it up when I'm over there next year. Image
"Never eat more than you can lift." - Mr. Moon
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