
Revolution Distortion
- rickinroma
- RRF Consultant
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- karl_teten
- Intermediate Member
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Before a Leslie cabinet was chosen for the vocal on Tomorrow Never Knows, Lennon's original vocal idea for this song was for him to be suspended by a rope in the center of the studio and then swung around in a cirlcle singing while passing by strategically placed microphones.
George Martin shot that idea down. LOL!
George Martin shot that idea down. LOL!
- rickinroma
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I have heard that a British-made WEM Electronics "pep" distortion pedal (probably with a germanium transistor) was used for the fuzz, then straight to the board. I don't remember where I got that info.
A fuzzface set for unity gain might get close, especially with a Fairchild limiter/compressor.
A fuzzface set for unity gain might get close, especially with a Fairchild limiter/compressor.
"You Can't Glue Glue To Glue!"
Thanks Bill, here is Lennon making the adjustment to the WEM Rush Pep Box. The Casino is a hint as well.


Life, as with music, often requires one to let go of the melody and listen to the rhythm
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craviola990
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I cannot find the date of this recording session but April 1966 has been discussed in other forums online.
Life, as with music, often requires one to let go of the melody and listen to the rhythm
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Peter: Very interesting picture. Don't you think the guitar looks more like his orange Gretsch rather than the Casino? The cut-away and the lighter color of the guitar makes me think this may be the Gretsch. I believe the Casino would have had much darker back and sides as well as a deeper cut-away. Is it possible this shot came from the 'Paperback Writer' session?
Randy: I believe that you are right. Sorry to be asleep at the switch.
Life, as with music, often requires one to let go of the melody and listen to the rhythm
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- sloop_john_b
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