A little 4001 fun

Vintage, Modern, V & C series, Fretless, Signature & Special Editions

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jps
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Post by jps »

I'd have to find my notes, but just guessing from experience given the known lighting conditions, probably in the 5-10 second range, with an aperture of f32 using my 90/8 Schneider Super Angulon, on T-Max 100 (TMX) film.
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jnbass
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Post by jnbass »

uhuhuhuhuhuhhhuhhuhhh, he said
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rickaddict
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Post by rickaddict »

That's a beautiful photo, Jeff. Where was that one taken?
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atomic_punk
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Post by atomic_punk »

And then the thread went totally off course...
"They make great f***'n basses". - Lemmy, NAMM 2009
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cheyenne
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Post by cheyenne »

And fell into complete oblivion...
"Knowledge is Power"
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simer4001
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Post by simer4001 »

And what makes that different than any other thread?
LET THE WORLD KNOW YOU WANT PAUL TO BRING BACK THE 4001. JOIN OUR FACEBOOK GROUP!! http://www.facebook.com/group.php?gid=147641915268984
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aceonbass
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Post by aceonbass »

Meanwhile back at the guitar shop.....On the subject of making it distinguishable from an original, put a dot at the 21st fret like I did on my 4008CS. There should be one there anyway and it's something RIC's never done on their basses. Okay, time for more pictures....
rickaddict
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Post by rickaddict »

The thread will be back on course soon.


Ted's got plenty more work to do on this and plenty more pics to post.

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alanz
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Post by alanz »

Amazing stuff, Ted.
Listen to that sustain!
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bob_atherton
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Post by bob_atherton »

Nice field camera Jeff. The last time I used my 5" x 4" was about a year ago. All my clients want wretched digital now. I used to love the sheet film with Velvia 50 ASA, crazy over the top saturation, but such fine grain and punch.

Nice shot. I love the effect of water with time exposures. I did some shots once with a ND filter over the lens, stopped down to about f90, and did a shot of water flowing past some rocks. The exposure took about one minute and the effect was like mist swirling around the rocks, not really wet at all. Aaahhh, happy days...
rickfan60
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Post by rickfan60 »

Thanks guys. The extra dot is a good idea Dane.
jwr2

Post by jwr2 »

another way to make it not look like a real 4002 ... don't put the xlr output in and use a single ply material for the pickguard ...
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morrow
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Post by morrow »

My old Sinar used to be my main studio machine.


I miss those days too.
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aceonbass
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Post by aceonbass »

I second Jeff's idea. I always thought the 5 ply ABS picguard was so Fenderish. I always assumed the 3000's came with ABS guard because they were bottom of the line. I'd go with an acrylic guard.
rickfan60
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Post by rickfan60 »

The 5 layer laminate looks so good with the checkerboard binding and black neck and head binding. It also ties in nicely with the dark ebony and pearly white dots. I will leave out the fancy jack.
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