Toaster pickups

Vintage, Modern, V & C Series, Signature & Special Editions

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ben_brown
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Post by ben_brown »

Back to the toasters...there are scatterwound and non-scatterwound and we have the different impedances but what about the differences between the short pole toasters and the long pole toasters? hear of forumites wanting short pole toasters. Are they better? What exactly is the difference?
'73 4001 MG '88 4003S JG '89 4003S FG '91 4003S MG
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jingle_jangle
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Post by jingle_jangle »

The magnets and impedances are different, but I hesitate to quote chapter and verse on this, because there is wide variance.

My '67 625 (which I believe to be 100% as delivered from the factory) has a long pole in the bridge--it's HOT--and a short one in the neck--it's NOT.
“I say in speeches that a plausible mission of artists is to make people appreciate being alive at least a little bit. I am then asked if I know of any artists who pulled that off. I reply, 'The Beatles did.”
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ben_brown
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Post by ben_brown »

That makes sense...larger magnet is hotter and smaller magnet is less hot.
Am I correct is saying that short pole toasters installed on guitars and short pole toasters installed on basses are pretty much the same other than impedance differences?
'73 4001 MG '88 4003S JG '89 4003S FG '91 4003S MG
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jps
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Post by jps »

My 4005WB has the same pickups as Paul's 625 but the two sound the same gainwise.
rickcrazy
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Post by rickcrazy »

...but the two sound the same gain-wise. Well, no wonder: the bridge pickup is hotter than the neck one, but since its location is the least favorable one they're bound to sound the same gain-wise.
Ben: yes, they're the same.
A Rickenbacker bass is much like the Jaguar E car - perennially ultra-fashionable.
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ben_brown
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Post by ben_brown »

Thanks Sérgio...I stand educated! Image
'73 4001 MG '88 4003S JG '89 4003S FG '91 4003S MG
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heinpete
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Post by heinpete »

Currently (received last Friday)Sérgio made a very special vintage toaster for me: It is a real “Pure-Vintage-Sound-Deep-Growl-Power-Silva-Machine”!.

Although the resistance is still the vintage one below 7 kOhms, the output is much stronger as before and quite equal to the 11kOhm Treble PU, as he used very strong magnets.

Overall the volume between the two PUs is now extremely balanced and has a pound more Bass than before. It is quite close to the one of Elys 21-Fretter, which I could play only briefly and with old strings.

Sérgio, you did an extremely well expert job, only you can do! Thank you very much again.

Image Image
"The youth of today should start thinking about the state in which they want to leave this planet to Keith Richards..."! Quote by an unknown musician
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Post by rickcrazy »

You're perfectly welcome, Peter. Nice 4001, by the way.
A Rickenbacker bass is much like the Jaguar E car - perennially ultra-fashionable.
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heinpete
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Post by heinpete »

Thanx for the compliment (I also just love her fireglo), she will undergo cosmetic "surgery" (pre-'73 conversion) by Paul W. latest next year, that will make her even more pretty.
"The youth of today should start thinking about the state in which they want to leave this planet to Keith Richards..."! Quote by an unknown musician
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elysrand
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Post by elysrand »

I do not see how it is possible for her to become even more pretty, Pete! She is quite beautiful already Image That is about the most gorgeous fireglo that I have ever seen, it is a much richer and fiery red on the edges than Susanna, or her sister Jaclyn, who are a more "pinkish" red.
Do unto others as you would have them do unto you, and sit in with the band whenever you can, to keep your chops up!
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heinpete
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Post by heinpete »

Elys, you're right, but I trust Paul, that he will replicate this fireglo shading nearly exactly like it is. I think currently the fading from outer to inner body of the 4003 FG and AFG is rather rough and never so smooth as it was in the ("golden") '70ies. However, no CB and FWMOP possible w/o refin for her, and the cracked neck finish will also be improved. But if she's back from plastic surgery and you'll hear her singing, I bet you'll offer me more than you've bid for Susanna!? Image AND BTW: SHE WILL BECOME A 21-FRETTER, TOO!!! Image
"The youth of today should start thinking about the state in which they want to leave this planet to Keith Richards..."! Quote by an unknown musician
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wints
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Post by wints »

Mid '72 to mid '73 is one of the classic FG's to many it seems. The guy in the booth had it going on, no question.

When it ages, it looks really good...

Image
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jingle_jangle
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Post by jingle_jangle »

I'm a big fan of the gradual color transition as shown above.
“I say in speeches that a plausible mission of artists is to make people appreciate being alive at least a little bit. I am then asked if I know of any artists who pulled that off. I reply, 'The Beatles did.”
― Kurt Vonnegut
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heinpete
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Post by heinpete »

Paul, that is why I trust you! Image
One day next year my bass will look like the one in the pic of Andrew...except for the gap in the tailpiece (function? not needed).
"The youth of today should start thinking about the state in which they want to leave this planet to Keith Richards..."! Quote by an unknown musician
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beatlefreak
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Post by beatlefreak »

I'll second that, Paul.
Ka is a wheel.
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