wim wrote:Bridge position thus moved forward (to neck) too, it's now in the middle of the cat slash, if you'd draw a line through the bridge.
Could be the angle of the pictures too though.
There seems to be a slight variation, but even in 21 fret models the bridge is pretty much in the same place as it's now? Or might that just be the pictures I chose at random?
Clint wrote:To me, the biggest change is in the width of the R tailpiece ramp. It's a lot narrower now and doesn't follow the curve of the pickguard.
Now, I never noticed that before - but you're absolutely right! I love the wider ramp to the smaller one. Smaller ramp means more inside space?
What I always thought was quite weird is what I call the "square" area of the body - compare 330 top to side rounding of edge around neck to a 360's. Why is the 360's transition less rounded??? In pictures it's not that obvious, I think, but hang a 360 and a 330 next to eachother and see it for yourself.
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