It's a century-old process and I'm not sure it would work on a guitar, although a solid body has best chance.
Give me cool metal spraying every time...
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But, Robertson's Strat was not dipped in the copper: They made a cast with the guitar body, and then soldered the copper to the body. It's theorized Robertson, or whoever he hired, had to make two separate molds, and then put them together around the body.jingle_jangle wrote:The baby shoe process involves coating the object with conductive paint and then dipping it into a copper electroplating tank. Copper builds up comparatively quickly and buffs well, which is also why it's used as a base for nickel and chrome. (The combination of all three steps gives "triple chrome" its name.)
It's a century-old process and I'm not sure it would work on a guitar, although a solid body has best chance.
Give me cool metal spraying every time...![]()
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Dan, your chrome 360/12 is ready to go!Danotron wrote:That chrome looks pretty cool!
I'm usually into mostly the vintage vibe so I'm not sure I could do it (or more accurately, have it done) to one of my Ricks; but if I saw one all ready to go...........................
Yeah, that would be amazing. Did the Velenos have frets, or was the entire neck including the frets one piece of aluminum?collin wrote:That looks awesome! Unconventional, but totally works IMO.
Now....I wish itmwas entirely made of aluminum, Veleno-style....talk about sustain.
Thanks for the info, Dan...that's an awfully complicated and pricey way to accomplish a simple task...Ain'tGotNoPokemon wrote:But, Robertson's Strat was not dipped in the copper: They made a cast with the guitar body, and then soldered the copper to the body. It's theorized Robertson, or whoever he hired, had to make two separate molds, and then put them together around the body.jingle_jangle wrote:The baby shoe process involves coating the object with conductive paint and then dipping it into a copper electroplating tank. Copper builds up comparatively quickly and buffs well, which is also why it's used as a base for nickel and chrome. (The combination of all three steps gives "triple chrome" its name.)
It's a century-old process and I'm not sure it would work on a guitar, although a solid body has best chance.
Give me cool metal spraying every time...![]()
![]()
jingle_jangle wrote:Dan, your chrome 360/12 is ready to go!Danotron wrote:That chrome looks pretty cool!
I'm usually into mostly the vintage vibe so I'm not sure I could do it (or more accurately, have it done) to one of my Ricks; but if I saw one all ready to go...........................![]()
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jingle_jangle wrote:The baby shoe process involves coating the object with conductive paint and then dipping it into a copper electroplating tank. Copper builds up comparatively quickly and buffs well, which is also why it's used as a base for nickel and chrome. (The combination of all three steps gives "triple chrome" its name.)
It's a century-old process and I'm not sure it would work on a guitar, although a solid body has best chance.
Give me cool metal spraying every time...![]()
![]()
My name's not Dan, sir.jingle_jangle wrote:Thanks for the info, Dan...that's an awfully complicated and pricey way to accomplish a simple task...Ain'tGotNoPokemon wrote:But, Robertson's Strat was not dipped in the copper: They made a cast with the guitar body, and then soldered the copper to the body. It's theorized Robertson, or whoever he hired, had to make two separate molds, and then put them together around the body.jingle_jangle wrote:The baby shoe process involves coating the object with conductive paint and then dipping it into a copper electroplating tank. Copper builds up comparatively quickly and buffs well, which is also why it's used as a base for nickel and chrome. (The combination of all three steps gives "triple chrome" its name.)
It's a century-old process and I'm not sure it would work on a guitar, although a solid body has best chance.
Give me cool metal spraying every time...![]()
![]()
They were fretted. Not sure how they pulled it off, but I know they had frets....and sustain for days.egosheep wrote:Yeah, that would be amazing. Did the Velenos have frets, or was the entire neck including the frets one piece of aluminum?collin wrote:That looks awesome! Unconventional, but totally works IMO.
Now....I wish itmwas entirely made of aluminum, Veleno-style....talk about sustain.
From the website (in part):Ain'tGotNoPokemon wrote:Well, it's not metal, but of course there is the cool option of a hemp-made guitar (Something that should be done more, IMO). http://www.guitarsite.com/news/electric ... from_hemp/
I guess you can't smoke it then....No edges, no joints...