idealassets wrote:It appears that you Dare To Be Different. That's been my motto for years.
Richard,
What happened in my case is that when I got my first 12 string acoustic Guild (10 months ago), suddenly certain songs began to work well on it for me. And I really liked the the sounds I could get. Then I Began to look into Roger McGuinn, but it took longer for me to get the Ric 360/12 due to the more complexity of the additional equipment. Then I discovered from this forum that incidently the Beatles, Beach Boys, Hollies, and Tom Petty used the 12 string; and also some specifics involved.
Being different was not by design, but came as an added benefit of delving into and studying 12 string material and musicians. Next is to learn some more exemplary 12 string technique, such as the rhythm runs on "I Call Your Name". Perhaps its easy to do, but then again not many folks are doing it either.
This is great stuff.
Also I liked the image of Roger McGuinn & George Harrison with the 360/12. Is that the model that George played?
Craig
So much great detail in this Thread...THANKS!
And I think the common element is that yes, 12-strings, electric and acoustic just have such a beautiful sound and tone!
My first real 12er was also a Guild (1977 Rosewood). It has that classic sound. I am a nut for 12s so I also have one of the classic jumbo Taylors (the typical brighter sound and easy playability are so nice) and speaking of Leo Kotke (see above), I also have the Taylor LKSM-12 which is made to be tuned 1 and 1/2 steps lower than the usual 12. So it is the opposite of the chimey sound...the thing is a cannon and so different than most 12s. I wish I could get an electric 12 like a Ric but I am still recovering from my 4003 purchase.
Beatles: like so many of you, the Beatles shaped my love of music and I never tire of reading about how they put together their classic songs. So much wonderful music. The 12-string sound of Mr. Harrison is essential to their early output.
Again, Great Thread! I hope I didn't digress too much!